Saturday, February 20, 2016

Ax Taylor - Vanderpump Really Has to Rule On This

There is one area in which every reality “star” (and I use the word very loosely) eventually falls down: when they start to believe their own PR. Never has a more glaring case of this been more obvious than in the case of “Mr Jax Taylor” (I’m using his inflated Twitter name), who is one of the central characters of Vanderpump Rules, a spin-off starring the magnificent Lisa Vanderpump, from The Real Housewives of Beverly Hills.
   
I have long been a Lisa fan. She has no idea that I know a lot of people from her time back in the UK, where she made her name (with husband Ken), not only as an extraordinary and exceptionally hard-working restaurateur, but a great businesswoman and, most significantly, a really good, fair boss. I met her when I was living in LA and, two weeks, ago, again in Cecconi’s in West Hollywood, where we spoke about my writing a piece (I write primarily for the Daily Mail) about Vanderpump Rules.
   
I love that show. I know the constraints and the tricks of reality TV (I’ve appeared enough in it myself), but I love the drama that VPR produces week on week, season after season. I’m always bemused that all the young people fancy each other so much when most of them are, at best, a B-rating (apart from the exquisite Scheana, who is so mega stunning, and doesn’t realise how even more stunning she is without make-up). I love Kristen, who knows that she has to be an ongoing nightmare for the show to work – and boy, can she work it.
   
I’m fascinated how anyone can go by the name of La-La and expect to be taken seriously. I’m disturbed by James’s ongoing, reality TV suicide meltdown and his need to talk about sex in order to try to validate himself in the cultural wasteland in which, as a Brit, he finds himself. I’m constantly amused by TT Bros – the two Tom boys, who are so dull, uninspired and uninspiring, I am surprised any woman has ever wanted to have sex with either of them. Ever.
   
Lisa is an exceptional puppeteer, who orchestrates reality TV to promote her business empires, and she is brilliant at it. In both shows in which she appears, she never exposes too much about herself or her family – she gets the gig, but she also values her private life.
   
But, back to Vanderpump Rules, and Monsieur Le Jax (oh, come on – let’s make him even grander than he already thinks himself to be). Today, his Twitter account posted a picture of Lisa’s husband Ken, following the wrap of the current series, with Monsieur LJ holding one of the family dogs and a drink. I posted a comment asking whether he had stolen dog and/or drink. 

Given that he has just returned from Hawaii, where he was, courtesy of the show, on a freebie, and ended up being arrested for stealing a pair of sunglasses, I thought the comment was fair game. Instantly, I was blocked, and told that this was the outcome for any negative comments posted about him.
   
Well, for a start, it wasn’t negative; also, it’s easy to follow anyone on Twitter through another account, as any self-respecting PR person should know. But they should also know that it is through what they call “negative” comment that people get to learn. Le Monsieur is not a god; he is a criminal. He has narrowly avoided jail. He has already exposed himself to be a liar and, according to people on the show, a thief, on other occasions. But hey, people - have some fun with it! Use your different accounts and get all your followers to say something, too! It works! His PR people have been on a blocking blitz this afternoon. It's hysterical! It's the guaranteed way to get him out of your life!
   
Lisa has said that she does not think Jax is a bad person – and I agree. I think he’s misguided, he drinks too much, and thinks through his trousers. He’s starting to look like an old soak (as we say in the UK – ask James, who, alas, is heading the same way, if he’s not careful), and it’s rather sad.
   
But what Le Monsieur needs more than anything at the moment is better PR: not PR people who block light-hearted banter from those on his side (I genuinely have no problem with threatening or vile people being blocked); PR people who look at his life and ask where he’s going next when this carousel comes to a stop (which it will); PR people who look at what else he might have to offer in an ever overcrowded marketplace.
   
Lisa Vanderpump has his back, as she does so many people with whom she works. But I’m afraid that unless something changes pretty quickly, we’re looking at Ax Taylor – and I suspect there’s very little else for him out there if he allows his people to continually throw him under the PR bus.
   
Vanderpump Rules. Yes, she does. But it’s also time that Le Monsieur started to apply some rules of his own. And number one? Change your PR. In my opinion, it’s ruining Lisa’s brand, it’s ruining the show, and, worse, it’s ruining you, Jax. Do something before it’s too late. Because I really do think you’re heading for the chop. And not one you’ll be able to consume in your increasingly disturbing sweaty, overweight face.
   
Grow up. Seriously. And get some good people around you. 

It’s a thin line between people wanting your dick and calling you one.

Wednesday, February 17, 2016

My Heart Belongs to Telly

It’s the Marmite of the movie world: you either love it or you hate it. 

Never have I heard a movie going audience so divided; and never have I laughed so much in the face of Marmite lovers. So, here goes. Are you ready? 

I hate Marmite. 

I hate The Revenant.
   
The Irrelevant (yes, I hate it that much) has a lot of grunting in it. I am not averse to grunting per se, especially if said grunter is Leonardo di Caprio, but I just want something more. Yes, I know the movie’s allegorical, the bear’s great, it’s shot in natural light, blah-di-blah-di-blah, but just because a few actors got cold during the making of it doth not great art make.
   
For me, it hasn’t been the best of years in the movies. Every week, I see truly great art on TV – Suits, Law and Order, The Good Wife, Billions – and feel so blessed that we really do live in the golden age of television. But when it comes to the big screen, I am invariably disappointed.
   
This year, it astonished me that Aaron Sorkin’s adapted screenplay Steve Jobs did not make it on to the Oscar shortlist, whereas Grunthog Day looks all set to clean up in almost every category. The first half of Room was extraordinary, but then turned into something that made it seem as if the director had left that room and made room for an entirely different species altogether. In an instant, we seemed to go from Bergman to Danielle Steel.
   
I adored Brooklyn, not least because the struggle between one’s roots and one’s ambition is, for me, coming from Wales, something with which I battle my whole life. I really liked Spotlight, and, although it was no All the President’s Men, it made a gripping detective story out of a well-worn theme. The Big Short was watchable but incomprehensible (despite the patronising “star” inserts), and The Lady in the Van was just okay. If you like ladies. And vans.
   
Many years ago, I crawled through someone’s legs to reach Steven Spielberg, who had just won an award for Schindler’s List. I wanted to talk to him about another movie, though. After being introduced, I said: “I know you’ve just won for another movie, but can I just say that I think ET is the greatest movie ever made.” He replied: “Thank you so much. Do you know, I was thinking about that on Friday, and I think you could well be right.”
   
It remains my favourite movie of all time. It encompasses all the big, great themes – love, loss, friendship, separation, power, despair – and has the greatest cinematic moment (again, for me) ever. Those bicycles. The moment of transcendence: leaving the old world behind. Magic. Everything’s possible.
   
And then. Coming back to Earth. Literally and metaphorically. ET: Come. Elliot: Stay. And there you have it: the great human dilemma and the greatest story that can ever be told. I want you to come with me. I want you to stay with me. And it can’t, for whatever reason, ever happen. I am crying just writing about it. Ouch. Ouch. I’ll be right here. WAAAHHHHHHHHHHH!
   
I just don’t feel moved like I used to in the cinema, whereas TV regularly tears me apart. When Will Gardner (Josh Charles) died in The Good Wife, I howled. I never got over it (neither did the show, which CBS has just axed). I get very stressed every time something bad happens to Gibbs (Mark Harmon) in NCIS, and I bite off all my nails when Harvey Specter (Gabriel Macht) in Suits sails too close to the wind (often - I have to move on to my toe-nails every time they threaten to put him back together with the totally unsuitable Scottie).
   
Television has been my life. It still amazes me that this 52- inch slice of black in the corner of my room consistently delivers such unspeakable joy every single hour of every week. When people say, trying to impress, “I don’t watch television”, I have just one response: Yes, it shows (cue sad face).
   
So, while I am sure that The Irrelevant will be picking up gongs, come February 28th, my heart belongs to telly.